MFA Fine Art Degree show
Goldsmiths, University of London
United Kingdom, 2025
(video documentation by @about_yeeun)
500(W) x 170(H)cm
2. “The Uninvited Whisper before Oblivion”
70(W) x 180(H) x 50(L)cm
3. “Cage of the Past”
80(W) x 230(H) x 110(L)cm
4. “The Ghost”
120(W) x 200(H) x 140(L)cm
Created for my MFA Fine Art degree show at Goldsmiths, The Sound of Memento brings together four kinetic sculptures that produce distinct sounds within a shared environment. The exhibition serves as a prologue to my developing object-based orchestra, exploring how performativity emerges through movement, sound and imagery.
“Yawning for Regularity” 102(W) x 184(H) x 65(L)cm
Anita Chan Lai-Ling Gallery,
Hong Kong
2021
(funded by the Hong Kong Arts Development Council)
Exhibtion documentation
Exhibition Works:
1. “Wet Memory”
288(W) x 181(H) x 135(D)cm
2.“Wet room”
220(W) x 174(H) x 156(D)cm
3. “An Alley at Somewhere”
203(W) x 198(H) x 30(D)cm
4. “Someone ever lived here”
245(W) x 198(H) x 170(D)cm
5. “Quilt in the sun”
420(W) x 200(H)cm
Below(video):
Moving-image intervention in the street
Doubtful Memory, my debut solo exhibition in Hong Kong, takes its point of departure from a line in Liu Yichang’s novel The Drunkard. The exhibition considers everyday objects as carriers of memories of Hong Kong, evoking the city’s atmosphere during the 1980s and its persistent humidity. It marked my first use of painting directly on objects, extending the painted surface into three-dimensional space.
“Attachment to Life” 73(W) x 73(H) x 46(L) cm
“Rift and Mask” 100(W) x 65.5(H) x 3(D)cm
“Repair” 147.5(W) x 120(H) x 3(D)cm
back